2024

Bilbao (Basque Country, Spain), for “Bilbao Balioen Hiria (BBH) – Bilbao City of Values”. The project has strengthened cultural values as the backbone of sustainable development of the city. The project is very collaborative: it has involved more than 2200 members stakeholders, including institutions, NGOs, companies, the media, political groups and other actors, through analysis, dialogue, reflection and collaboration. It has delivered a local “Bilbao Charter of Values” and it has launched several international actions, too. The participative methodology is an example to be adapted by other cities.

Brazzaville (Republic of the Congo), for “Poto-Poto Cultural Circle”. The project began in former City Hall, a listed national heritage building, which has become the hub of a broad network of urban cultural infrastructures. This project illustrates a long-term proactive cultural policy that serves the needs and expectations of cultural actors, the creativity of the local youth people, the preservation of heritage and the several challenges of local development (diversify the local economy and encourage people to live together). Brazzaville has recently been appointed African Capital of Culture (2024-2025).

Esch-sur-Alzette (Luxembourg), for “Great dreamers”. This project illustrates how a large cultural event (the ECOC programme, that is, the European Capital of Culture in 2022) can become a vector of inclusion, participation, co-creation and local innovation. The essence of Great Dreamers is the connection between cultural governance and sustainable development, with the continuous involvement of the cultural actors, the neighbors, the commercial fabric, the municipal services, and the vast network of civic urban organizations in shared and sustainable decisions, within the ECoC year, and beyond.

Novi Sad (Republic of Serbia), for “Cultural Policy Regeneration of Urban Heritage through the Culture of Dialogue”. This project is embodied in three heritage areas of the city, the Almash, the Creative District and the Cultural Station Network. It unfolds the long-term cultural policy of the city, written and approved during the planning and implementation of the city's most ambitious cultural endeavor – the European Capital of Culture, 2022. It is based on various participatory techniques (focus groups, forum of culture, divan – dialogue with citizens) to establish new cultural services in the city.

Ramallah (Palestine), for the project “Moving Culture Forward”. The long-term cultural strategy of Ramallah is built on an essential directive of the city which is to contribute to the liberation of Palestine, and emphasizes the ongoing struggle of Palestinians against occupation. Despite the interruption caused by the pandemic in 2020, and the current war, the municipality continued the process of unfolding the cultural strategy of Ramallah, embedding the new realities, emphasizing the role of culture as a tool for resilience and resistance, and spreading out the strategy with cultural practices to maintain social cohesion and collective narratives of all citizens. The engagement of Ramallah in global networks and international partnerships underscores its commitment to seeking support, sharing information, and advocating for solidarity in the face of adversity.

Xi’an (People’s Republic of China), for the project Culture for All Policies”. This project is aimed at achieving the goals of cultural accessibility, cultural dissemination and cultural equity through effective leadership, sustained financial input, extensive advocacy and intensive collaboration among arts practitioners. The project collects and unfolds the main programmes of the city’s cultural policies, with major efforts made to enhance cultural accessibility by building neighbourhood libraries in various public spaces, building small museums at important metro stations and promoting collaboration among various theatres in planning and presenting free performances, among many other specific examples.